In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.
Worth the Oscar? I don’t know. But it’s a great effort from Inarritu and DiCaprio. The scenes are beautiful, the screenplay is smooth and precise.
When a Russian mobster sets up a real estate scam that generates millions of pounds, various members of London’s criminal underworld pursue their share of the fortune. Various shady characters, including Mr One-Two, Stella the accountant, and Johnny Quid, a druggie rock-star, try to claim their slice.
Stylish movie with all the trademarks of Guy Ritchie. It lacks a bit of spirit of Snatch, but it’s nevertheless a well-crafted thriller.
The story of the miraculous evacuation of Allied soldiers from Belgium, Britain, Canada and France, who were cut off and surrounded by the German army from the beaches and harbour of Dunkirk between May 26th and June 4th 1940 during World War II.
Amazing achievement in visuals. I watched the whole movie because of it, but it’s not like the movie doesn’t need a better scenario. It does. I understand the idea to…
Cobb, a skilled thief who commits corporate espionage by infiltrating the subconscious of his targets is offered a chance to regain his old life as payment for a task considered to be impossible: “inception”, the implantation of another person’s idea into a target’s subconscious.
Not a fan of it. This movie tries to be so twisted with a dream in a dream thing that it fires back, becomes boring and ends up like a…